The concept works with thorns, echoing the crown of thorns, in an aggressive and erratic tone while keeping legible strokes and moderate curves as counterpoint to the sharp points. Every letter was drawn individually, in upper and lower case, to have its own character. Being beautiful in isolation was never the criterion. The goal was a wide range of letters, each with a defined concept, so any design team working on a print later would have solid creative ground to build on. The result is a typeface plus support elements that can be bent and manipulated into symbols, words and unique abstractions.